王曉平《呈現**化時代中國--當代中國電影裡的現實主義藝術》精選當代中國新生代導演的十部現實主義電影進行分析，呈現中國九十年代以來在**化時代的多種樣貌，分析現實主義的文學敘述手法在電影中的運用。這些電影均在**公映過，或者獲得過電影局的發行許可。本書有助於電影界專業編導、批評家、廣大電影愛好者、文學愛好者閱讀。

Introduction
Chapter One
Experiencing Realism or Modernism in Practicing Arts？
Authenticity,Truth，and Art in Frozen（1994）
Chapter Two
Super—Realism or Sur—Realism in Portraying a（Post）modern Desire：Rain Clouds over Wushan's（1996）Rendition of the Subaltern
Chapter Three
Phantasmagoric Realism in an“Art Film”：Portraying Chinese“Middle Class”in Lunar Eclipse（1999）
Chapter Four
Onirogenic Realism in Narrating Love Stories：Suzhou River（2000）as a Historical Allegory
Chapter Five
Melodramatic Realism in a“Teen’s Movie”：Articulating the Logic of Market Society in Beijing Bicycle（2001）
Chapter Six
Revolutionary Realism or Socialist Realism？
Chinese Goodman in Jia Zhangke’S Still Life（2006）
Chapter Seven
Retrospective Realism in Memorizing the Chinese Working Class：On the Narrative Strategy of The Road（2006）
Chapter Eight
Critical Realism with the Taint of Religion：Salvation and Hope in Luxury Car（2006）
Chapter Nine
Psychological Realism in the Memory of a Workwoman：How do Chinese Workers Spend their Lives in Weaving Girl（2008）
Chapter Ten
Hallucinatory Realism in the Eyes ofArtists：The Falsity of Choices in And the Spring Comes（2008）
Conclusion
On the Merits and Faults of Practicing Realism in Contemporary Chinese Cinema
Bibliography