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劍橋文學名家研習繫列(美國卷)之七 弗·斯科特·菲茨傑拉德 [T
該商品所屬分類:圖書 -> 上海外語教育出版社
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265-384
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166-240
【作者】 科納特 
【出版社】上海外語教育出版社 
【ISBN】9787544608619
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內容介紹



出版社:上海外語教育出版社
ISBN:9787544608619
版次:1

商品編碼:10211425
品牌:外教社
包裝:平裝

外文名稱:The
開本:16開
出版時間:2008-08-01

用紙:膠版紙
頁數:145
正文語種:英語

代碼:29
作者:科納特

    
    
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編輯推薦

劍橋文學名家研習繫列。本繫列旨在為學生引薦英美文學名家,內容親和,語言生動,對有意提高西方文學素養的讀者很有吸引力。
·學生、教師、專題主講者均適用;
·簡明扼要、信息豐富;
·配有進一步研究的書目。

內容簡介

本書為“劍橋文學名家研習繫列”之一,由近年來在美國從事菲茨傑拉德研究十分活躍的柯克·科納特撰寫,分為四個部分,包括菲茨傑拉德的生平,作品的文化背景,作品的創作過程、重要主題、主要人物、情節和意像、作品的風格和特色等,以及評論界對菲茨傑拉德的研究流變這幾個方面,資料翔實,觀點新穎。在介紹菲茨傑拉德作品的文化背景時,作者沒有從常規的20世紀20、30年代的歷史發展入手,而是突出當時社會文化的潮流,觀點具有前瞻性,很見功力。對菲茨傑拉德作品主題和人物的解讀,也獨闢蹊徑,條縷分明,自成一體。這樣一部風格獨特的研究導讀,無論是對關注菲茨傑拉德的研究學者,還是對一般的文學愛好者都會有所裨益。讀者可以由此更為深入地理解菲茨傑拉德其人其作,從而促進我國菲茨傑拉德研究的進一步發展。
弗·斯科特·菲茨傑拉德,作為20世紀最出色的文學家之一,菲茨傑拉德傳奇的生平和他的藝術一樣令人傾倒。本書分析了菲茨傑拉德全部的小說作品,包括最受歡迎的《了不起的蓋茨比》和《夜色溫柔》,深入探討了菲茨傑拉德創作中的典型主題、主要情節、獨特風格,以及令人難忘的小說人物,讓讀者真切體味菲茨傑拉德作品的魅力。

目錄

Preface
Introduction
Chapter 1 Life
Childhood and literary apprenticeship(1896-1917)
Zelda and early success (1918-1924)
Artistic maturity and personal decline(1925-1934)
The crack-up and the comeback (1935-1940)

Chapter 2 Cultural context
My generation: youth culture and the politics of aging
The theater of being: personality and performative identity
The marketplace of self-making: personal style and consumerism
Flaunting recreations: conspicuous leisure and the culture of indulgence

Chapter 3 Works
Composition process
Major themes
Major characters
Major plots and motifs
Mode and genre
Style and point of view

Chapter 4 Critical reception
Contemporary reviewers
The Fitzgerald revival
Modern Fitzgerald studies

Notes
Guide to further reading
Index
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精彩書摘

Childhood and literary apprenticeship (1896-1917)
As with many writers, the first circumstance that Fitzgerald had to overcome washis immediate family. As the New Yorkerpolitely put it in 1926, "His success was agreat surprise to the home circle... [for] the Fitzgeralds were not what is knownas literary people.4 Although Fitzgerald claimed that his father co-authoredan unpublished novel, Edward Fitzgerald (1853-1931) served him mainly asa symbol of failure. When his only son was born on September 24, 1896, thegenteel furniture manufacturer presided over an unprofitable wicker works inSt Paul, Minnesota. The firms closing two years later, coupled with Edwardssubsequent undistinguished career as a wholesale grocery salesman, ledFitzgerald to dismiss his father alternately as a "moron" and, more generously,as representative of that "good heart that came from another America" -that is, the Victorian age that modernity had rendered obsolete.5 The defin-ing event of Fitzgeralds childhood was Edwards 1908 firing from Procter andGamble, for whom the family had relocated to Buffalo and Syracuse, New York,during his infancy. Memories of that humiliation would resurface whenever theson doubted his own merits. "He had lost his essential drive, his immaculate-ness of purpose," Fitzgerald reflected. "He was a failure the rest of his days" (InHis Own Time 297). Defeatism was not merely a personal flaw; it was indicativeof his fathers "tired old stock," which had "very little left of vitality and mentalenergy" (Apprentice Fiction 178). Edwards matrilineal lineage could be tracedto a founding pair of Maryland families, the Scotts and the Keys, which includedFitzgeralds namesake, Francis Scott Key, author of "The Star-Spangled Ban-ner." Yet the Civil War superannuated the legacy of Southern nobility in whichEdward was reared, leading Fitzgerald to ascribe his mediocrity to historicalupheaval. "I wonder how deep the Civil War was in [him]," he wrote in 1940,recalling tales of Edwards childhood days ferrying Confederate spies acrossthe Potomac. "What a sense of honor and duty... How lost [his generation]seemed in the changing world.., struggling to keep their children in the hautebourgeoisie when their like were sinking into obscur[ity] .
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前言/序言

我們有幸將“劍橋文學名家研習繫列”(美國卷)叢書推薦給我國有關專業的本科生、研究生和外國文學愛好者。這一套著名大學出版社的英文原版文學叢書,以普及、介紹和導讀為宗旨,集權威性和可讀性於一體,原汁原味但又淺近易懂,特色鮮明,十分難得。叢書是開放式的,我們首先推出第一繫列共七冊,包括詩人惠特曼、狄金森、龐德,作家霍桑、麥爾維爾、馬克·吐溫和菲茨傑拉德。這些美國作家和詩人都是我國知識界和文化青年熟知的名字——至少是應該知道的名字。他們都是美國主流文學的臺柱,他們的作品影響巨大,能夠反映或折射當時的歷史和社會狀況,並仍然能給今天的我們帶來啟示。他們是世界文化遺產的一部分,屬於美國,也屬於全世界。
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